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The new Milton criticism / edited by Peter C. Herman and Elizabeth Sauer.

Contributor(s): Herman, Peter C, 1958- | Sauer, Elizabeth, 1964-.
Material type: materialTypeLabelBookPublisher: Cambridge ; New York : Cambridge University Press, 2012Description: xii, 253 p. ; 23 cm.ISBN: 9781107019225 (hardback); 9781107603950 (paperback).Subject(s): Milton, John, 1608-1674 -- Criticism and interpretation | LITERARY CRITICISM / European / English, Irish, Scottish, WelshDDC classification: 821.4 Other classification: LIT004120 Online resources: Cover image
Contents:
Machine generated contents note: Introduction: paradigms lost, paradigms found: the new Milton criticism Peter C. Herman and Elizabeth Sauer; Part I. Theodicies: 1. Milton's fetters, or, why Eden is better than heaven Richard Strier; 2. 'Whose fault, whose but his own?': Paradise Lost, contributory negligence, and the problem of cause Peter C. Herman; 3. The political theology of Milton's heaven John Rogers; 4. Meanwhile: (un)making time in Paradise Lost Judith Scherer Herz; 5. The gnostic Milton: salvation and divine similitude in Paradise Regained Michael Bryson; 6. The discontents with the drama of regeneration Elizabeth Sauer; Part II. Critical Receptions: 7. Against fescues and ferulas: personal affront and individual liberty in Milton's prose Christopher D'Addario; 8. Disruptive partners: Milton and seventeenth-century women writers Shannon Miller; 9. Eve and the ironic theodicy of the new Milton criticism Thomas Festa; 10. Denis Saurat, and the old new Milton criticism Jeffrey Shoulson; 11. The poverty of context: Cambridge School history and the new Milton criticism William Kolbrener; 12. Afterword Joseph Wittreich; Index.
Summary: "The New Milton Criticism seeks to emphasize ambivalence and discontinuity in Milton's work and interrogate the assumptions and certainties in previous Milton scholarship. Contributors to the volume move Milton's open-ended poetics to the centre of Milton studies by showing how analysing irresolvable questions - religious, philosophical and literary critical - transforms interpretation and enriches appreciation of his work. The New Milton Criticism encourages scholars to embrace uncertainties in his writings rather than attempt to explain them away. Twelve critics from a range of countries, approaches and methodologies explore these questions in these new readings of Paradise Lost and other works. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies"--
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821.4 HEN 2012 (Browse shelf) Not For Loan 14196
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821.4 EVP 1973 Paradise lost : 821.4 EVP 1973 Paradise lost : 821/.4 FIV 2012 Versions of antihumanism : 821.4 HEN 2012 The new Milton criticism / 821.4 MIP 1962 Paradise lost / 821.4 MIP 1962 Paradise lost / 821.4 MIP 1962 Paradise lost /

Includes index.

Machine generated contents note: Introduction: paradigms lost, paradigms found: the new Milton criticism Peter C. Herman and Elizabeth Sauer; Part I. Theodicies: 1. Milton's fetters, or, why Eden is better than heaven Richard Strier; 2. 'Whose fault, whose but his own?': Paradise Lost, contributory negligence, and the problem of cause Peter C. Herman; 3. The political theology of Milton's heaven John Rogers; 4. Meanwhile: (un)making time in Paradise Lost Judith Scherer Herz; 5. The gnostic Milton: salvation and divine similitude in Paradise Regained Michael Bryson; 6. The discontents with the drama of regeneration Elizabeth Sauer; Part II. Critical Receptions: 7. Against fescues and ferulas: personal affront and individual liberty in Milton's prose Christopher D'Addario; 8. Disruptive partners: Milton and seventeenth-century women writers Shannon Miller; 9. Eve and the ironic theodicy of the new Milton criticism Thomas Festa; 10. Denis Saurat, and the old new Milton criticism Jeffrey Shoulson; 11. The poverty of context: Cambridge School history and the new Milton criticism William Kolbrener; 12. Afterword Joseph Wittreich; Index.

"The New Milton Criticism seeks to emphasize ambivalence and discontinuity in Milton's work and interrogate the assumptions and certainties in previous Milton scholarship. Contributors to the volume move Milton's open-ended poetics to the centre of Milton studies by showing how analysing irresolvable questions - religious, philosophical and literary critical - transforms interpretation and enriches appreciation of his work. The New Milton Criticism encourages scholars to embrace uncertainties in his writings rather than attempt to explain them away. Twelve critics from a range of countries, approaches and methodologies explore these questions in these new readings of Paradise Lost and other works. Sure to become a focus of debate and controversy in the field, this volume is a truly original contribution to early modern studies"--

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